Running time: 127 minutes
Screenplay: Jane Goldman, Matthew Vaughn
Director: Matthew Vaughn
Starring: Claire Danes, Charlie Cox, Michelle Pfeiffer, Robert De Niro, Mark Strong, Jason Flemyng, Kate Magowan, Sienna Miller, Melanie Hill, Ricky Gervais, Dexter Fletcher, David Kelly, Ben Barnes, Henry Cavill, Nathaniel Parker, Peter O'Toole, Mark Heap, Rupert Everett, David Walliams, Julian Rhind-Tutt, Adam Buxton, Sarah Alexander, Joanna Scanlan, Jake Curran, Mark Williams, Struan Rodger, Olivia Grant, Ian McKellen (voice)
|Yvaine, wondering what the hell just happened.|
When the baby has grown into a naïve young man named Tristan (Charlie Cox), to prove his love to local girl Victoria (Sienna Miller), much to the annoyance of her suitor Humphrey (Henry Cavill), he proposes to recover a fallen star and bring it back to her. This sets him on a quest which will take him over the wall, but not before his father (Nathaniel Parker) reveals to him the nature of his parentage.
He's not the only one on a quest. The sons of the king (Peter O'Toole) are in a deadly race to retrieve an heirloom that will give them the kingdom, as well as trying to stay alive long enough to claim it. This soon focuses on generally honourable Primus (Jason Flemyng) and the ambitious moral-vacuum Septimus (Mark Strong). The ghosts of the deceased brothers wait and watch to see who will emerge the victor. Elsewhere a trio of ancient witches, desperate to regain their youth which, conveniently, requires the heart of a star, despatch Lamia (Michelle Pfeiffer) to hunt for and retrieve said star.
First on the scene is Tristan, who finds, to his great surprise, the fallen star has taken the form of a woman named Yvaine (Claire Danes), and she is non too impressed to learn of Tristan's plan to bring her back to Victoria. The stage is set for a chase across Stormhold for love, for power and for youth.
|Lamia, about to get witchy.|
The absolute star, both literally and figuratively however, is the magnificent Claire Danes as the fallen star with a bad attitude. She is marvellous and in the later scenes when she’s falling for Tristan and beginning to shine you are utterly convinced that she is being completely bowled over by love. Her smile is infectious.
The climax takes place in the witches' palatial home, as all the players left in the game converge and struggle for supremacy. Septimus comes off poorly here, and I suspect Vaughn was really pushing the limits of the PG certificate, as he gets a really rather grim death scene. It's probably not much of a spoiler to confirm that love prevails, but there is an interesting decision to make the ending different to the rather melancholy ending to the source material. This is a prime example for me of where sometimes when adapting books into films it is sometimes advisable to make changes. Gaiman's ending is bittersweet and suits the tone of his story perfectly, while the movie benefits massively from the decision to lighten the end. Both endings fit their particular medium, and either would have been made lesser if they'd had the other one.
Much better than you may have been led to believe.
It would seem that I'm out here pretty much alone in my high opinion of Stardust, the general consensus being generally more middling like these reviews from Roger Ebert and Dan at Empire.