Running time: 102 minutes (Wizard), 113 minutes (Return)
Certificate: U (Wizard), PG (Return)
Language: English
Screenplay: Noel Langley, Florence Ryerson, Edgar Allan Woolf (Wizard), Walter Murch, Gill Dennis (Return)
Director: Victor Fleming (Wizard), Walter Murch (Return)
Starring: Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Billie Burke, Margaret Hamilton, Charley Grapewin, Clara Blandick, Fairuza Balk, Nicol Williamson, Jean Marsh, Piper Laurie, Matt Clark, Sean Barrett (voice), Denise Bryer (voice), Brian Henson (voice), Lyle Conway (voice), Emma Ridley, Justin Case, Pons Maar
Dorothy and friends are having second thoughts about visiting the wizard. |
Dorothy Gale (Judy Garland) is a young girl living on a Kansas farm who dreams of seeing the big wide world. Her wish is granted when a tornado rips through her farm and knocks her unconscious. She comes to in the fantastical land of Oz, where she embarks on a quest to get back home, befriending Scarecrow (Ray Bolger), Tin Man (Jack Haley) and Cowardly Lion (Bert Lahr) on the way to ask the mysterious Wizard of Oz (Frank Morgan) to grant her wish. All the while, the Wicked Witch of the West (Margaret Hamilton) is determined to destroy her.
That extremely brief plot synopsis was probably entirely pointless, since pretty much everybody is familiar with the story, whether they've actually seen it or not. The Wizard of Oz is one of those beautiful examples, like Bambi, Toy Story or Spirited Away (all of which tap similar thematic material as The Wizard of Oz, being childhood fears of finding yourself alone, having to fend for yourself, forced to assume responsibility before you're ready), of a children's film that is actually amongst the best films ever made despite the limitations involved with ensuring suitability for a younger target audience. While it taps some primal childhood fears about losing the safety net of your family, it also hits a nostalgic sweet spot for adults, allowing them to reminisce about how they managed to negotiate the choppy waters of growing up.
To be fair, Dorothy has just dropped a house on her sister... |
There are imperfections. Some of the songs, particularly the overlong introduction to the munchkins and If I Were King of the Forest are pretty dated. Of course, the signature tunes are all still brilliant, and just because a couple of them are slightly off it doesn’t detract much from the overall quality of the film. The effects are what you might expect from the time, but they somehow manage only to add to the charm in a way that seamless CGI wouldn't.
Dorothy's collection of freaky new friends. |
Oz is no longer a Technicolour marvel, instead it's a little post-apocalyptic, where the rightful king Scarecrow (Justin Case. Seriously, that is his name) and his subjects have been usurped by the sinister Nome King (Nicol Williamson). Gangs of roaming creatures called the wheelies (oh-my-god-what-the-hell-are-the-wheelies-get-them-off-the-screen-they’re-freaking-me-out) harass Dorothy in a scary, nightmarish world.
Dorothy tries not to get freaked out by the Nome King. |
So much of this film defies logical expectation and comes on like some kind of weird fever-dream it really shouldn't work at all, but, scaring young kids half to death aside, it really does. It shares stylistic DNA with Labyrinth and The Dark Crystal, but for some reason isn't as readily remembered.
What we have then is a wonderful film fully deserving of its classic status and a forgotten fever-dream sequel that deserves reappraisal.
Score:
The Wizard of Oz: 8/10
Return to Oz: 7/10
You'll be unsurprised to hear that the original is beloved by all, evidenced best in this Roger Ebert review. I was pleasantly surprised by the love the sequel has out there, as shown in this review by Louisa at Den of Geek.
What we have then is a wonderful film fully deserving of its classic status and a forgotten fever-dream sequel that deserves reappraisal.
Score:
The Wizard of Oz: 8/10
Return to Oz: 7/10
You'll be unsurprised to hear that the original is beloved by all, evidenced best in this Roger Ebert review. I was pleasantly surprised by the love the sequel has out there, as shown in this review by Louisa at Den of Geek.