Tinker Tailor Soldier Spy

Year: 2011
Running time: 122 minutes
Certificate: 15
Language: English
Screenplay: Bridget O'Conner, Peter Straughan
Director: Tomas Alfredson
Starring: Gary Oldman, Colin Firth, Toby Jones, Mark Strong, John Hurt, Tom Hardy, Benedict Cumberbatch, David Dencik, Ciarán Hinds, Kathy Burke, Stephen Graham, Katrina Vasilieva

To catch a spy.

Alec Guinness cast a long shadow over the making of this film. The 1979 TV miniseries was long thought to be the definitive adaptation of John le Carré's classic novel, and Guinness' performance in the lead role was also long-considered to be definitive. Turns out you really can have two definitive performances of the same character. Oldman is nothing short of astonishing in this, which takes nothing away from the original masterful performance by Guinness.

Control (John Hurt) is convinced MI:6 has a mole, and is convinced it's one of a small number of people in the higher echelons: Percy Alleline (Toby Jones), or 'Tinker', Bill Haydon (Colin Firth), or 'Tailor', Roy Bland (Ciarán Hinds), or 'Soldier' or Toby Esterhase (David Dencik), or 'Poor Man'. There is also 'Beggarman' George Smiley (Gary Oldman), but as Smiley is our protagonist and Control's most trusted lieutenant, we can right him off as a possible suspect from the off.

Control assigns Jim Prideaux (Mark Strong) to a mission in Budapest to try to identify the mole. Unfortunately this mission goes wrong and Control is ousted from MI:6, and Smiley along with him. When a story told by a rogue agent Ricky Tarr (Tom Hardy) indicates the existence of a mole after all, Smiley is convinced to come back out of retirement to sift out the mole.

The unusual suspects.

Spies spying on spies, tension mounting, lives at stake - sounds super exciting. Except, this isn't most spy stories, and the plot unfolds not through dramatic action and car chases, but by quiet observation, discussions between men in smoky rooms, and watching Smiley slowly piece things together through the paranoia, fear and clandestine meetings. You do have to pay close attention or you can easily lose the thread, but you are rewarded if you can keep up.

One thing the Guinness version does have on this movie is length to allow all the characters and plot threads room to breathe, but at just over 2 hours, director Tomas Alfredson does a fine job of condensing the story while retaining the feel. Alfredson's previous debut feature Let the Right One In already showed he had an astonishing grasp of mood and style, and Tinker Tailor Soldier Spy does nothing to change this. The success of the whole thing rests heavily on Oldman's shoulders and he is every bit up to the task; with subtlety in every mannerism, he inhabits the character of Smiley completely.

Pay close attention, and you'll be rewarded with an engrossing story filled with tension, with a lead performance to cherish from Oldman.

Score: 8/10

Generally, there is a glut of reviews all effusive in their praise, but these from James at Reelviews and Stella at Digital Spy thought it was good, but a little too densely-plotted for a film, indicating it worked better a miniseries.

The Martian

Year: 2015
Running time: 144 minutes
Certificate: 12
Language: English
Screenplay: Drew Goddard
Director: Ridley Scott
Starring: Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Peña, Sean Bean, Kate Mara, Sebastian Stan, Aksel Hennie, Chiwetel Ejiofor, Benedict Wong, Mackenzie Davis, Donald Glover

All alone.

When the book The Martian was released in 2011, written by Andy Weir, it made a big splash. Weir's grasp of astronomy, orbital mechanics and human spaceflight made for an enjoyable, sometimes riveting story as the world united in an attempt to rescue and bring home Mark Watney (played by Matt Damon in the film), stranded alone on Mars after a dust-storm-related accident. What made it interesting was seeing how Watney used his knowledge and grasp of science to survive, and the same focus on science and smarts to solve pressing problems is true for Artemis, Weir's 2017 follow up set on the moon. I'm a sucker for competence, so I enjoyed them a lot. They were, however, a little derivative, with both stories applying new dressing to several well-worn story tropes.

It didn't take long for the rights to The Martian to be sold and adapted into a movie screenplay. We know this type of story can be hugely popular - see Apollo 13, and Matt Damon can be as much of a draw in a lead role as Tom Hanks, so it seems the success of The Martian was likely secured. Whether it would be any good, was another matter, but Ridley Scott is nothing if not a safe pair of hands, and he succeeded in making the science exciting and a planet that is little more than red rock look absolutely stunning.

Mark's crewmates discover that he's still alive on the way home, as well as details of an extremely risky move that might allow them to swing back round to Mars and pick Mark up, putting them all in jeopardy. But of course, they do it - all for one, right? So while his crew are coming back for him, Mark has to make his way across Mars to the landing site of the next expedition and work out how to rendezvous with his crew-mates. And all the way it's very clever people using their smarts to help and it's science and maths solving problems for a good cause and cheesy as it may be, I am all for it. It's not easy to carry a movie mostly by yourself and while there are quite a few characters in significant supporting roles, it's mostly Damon by himself, and like Bruce Willis in Die Hard and the aforementioned Tom Hanks in Cast Away, he acquits himself well here.

Home sweet home away from home.

It's one of those stories that can make you feel positive about what our species can actually achieve if working together for a common cause and the joy is in seeing just how these seemingly impossible problems can be overcome using science, ingenuity and teamwork. It's just fun and a little bit of a tonic in these times of hate and division. And it was a hoot seeing Sean Bean take part in another Council of Elrond.

It's not something that's going to set the world alight, but it is an injection of hope that can go some way to lightening dark times.

Score: 7/10

Most, if not all, reviews tend to be quite positive - this one from Peter at Rolling Stone was very impressed, but this one from Aaron at The Hollywood Outsider was much less so.