Running time: 120 minutes
Certificate: 15
Language: English
Screenplay: Emilio Estevez
Director: Emilio Estevez
Starring: Anthony Hopkins, Harry Belafonte, Nick Cannon, Emilio Estevez, Demi Moore, Laurence Fishburne, Freddy Rodriguez, Christian Slater, Heather Graham, Sharon Stone, William H. Macy, Helen Hunt, Martin Sheen, Joshua Jackson, Ashton Kutcher, Shia LaBeouf, Lindsay Lohan, Elijah Wood
Marry your gorgeous friend or go to Vietnam? |
There is a large number of glimpses into the lives of a collection of characters at the Ambassador Hotel on the night which sees the arrival of Kennedy's entourage, and for the most part, the potentially bewildering flitting between them is handled well, allowing the viewer to keep track. Hotel manager Paul (William H. Macy) is cheating on his hairdresser wife Miriam (Sharon Stone) with switchboard operator Angela (Heather Graham). Chef Edward (Laurence Fishburne) is preaching his Kennedy-inspired philosophy to kitchen worker Jose (Freddy Rodriguez), while Daryl (Christian Slater) is being fired from the same kitchen for his poor treatment of the Mexican workers. Virginia (Demi Moore) is an alcoholic singer due to perform at the hotel who is barely being held together by her long-suffering husband Tim (Estevez). Diane (Lindsay Lohan) is marrying her friend William (Elijah Wood) so he can avoid going to fight in Vietnam. Doorman John (Anthony Hopkins) is reflecting on getting old and recalling his memories of the hotel with Nelson (Harry Belafonte). All these threads and more play out to give the film a feel of busy complexity, but Estevez does a good job of juggling each of them, although, with the inevitable time constraints, some plot threads are more effective than others.
Paul and Miriam get some perspective. |
The cast on the whole are as good as you’d expect them to be, with Nick Cannon (surprisingly), Demi Moore and Laurence Fishburne providing the stand out turns, while Anthony Hopkins and Elijah Wood underwhelm a little, never really causing the viewer to feel an emotional attachment. In fairness, this is more likely due to the brevity of their character arcs than the quality of their acting.
All the different threads are eventually united in shock and grief at Kennedy's murder in a climax that is handled very well, and, while perhaps being a little too American in its cheesy overbearing sentimentality, is nevertheless emotionally effecting.
Not a classic, but highly engaging and very well made.
Score: 7/10
Angie at Empire is in broad agreement, but James at Reelviews was less impressed.
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